Questa animazione ha richiesto numerosi tentativi, in particolare per una rappresentazione delle mani abbastanza credibile di tutti i personaggi presenti nella scena. L’algoritmo tendeva a fonderle con le stoffe o con altri elementi del corpo, creando deformazioni o pose incoerenti rispetto all’originale. In alcuni casi, le mani risultavano nascoste, moltiplicate o disarticolate. Gli esempi più significativi sono raccolti nella sezione dedicata agli errori.

 

Per limitare questi problemi, è stato necessario intervenire attraverso una selezione mirata dei prompt e una riduzione controllata dei movimenti. L’animazione finale propone soltanto gesti essenziali e centrali alla narrazione, mantenendo la coerenza iconografica e rispettando la struttura del dipinto.

 

A causa delle restrizioni delle piattaforme utilizzate, non è stato possibile animare l’intera composizione o ottenere un controllo completo su tutti i dettagli. La scelta è quindi ricaduta su una soluzione equilibrata, che cerca di trasmettere l’atmosfera dell’opera senza comprometterne l’integrità visiva.

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This animation required numerous attempts, particularly to achieve a reasonably believable representation of the hands of all the characters in the scene. The algorithm tended to merge them with fabrics or other body elements, creating distortions or poses inconsistent with the original. In some cases, the hands appeared hidden, duplicated, or disjointed. The most relevant examples are collected in the dedicated error section.

To mitigate these issues, it was necessary to carefully select the prompts and reduce the complexity of the movements. The final animation includes only essential gestures, central to the narrative, maintaining iconographic coherence and respecting the structure of the painting.

Due to the limitations of the platforms used, it was not possible to animate the entire composition or have full control over all details. The result is therefore a balanced solution, aiming to convey the atmosphere of the original work without compromising its visual integrity.​​​

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Prompt:

Animate this sacred and intimate family scene by Santi di Tito using subtle and realistic movements. The Virgin Mary, seated at the center, slightly lowers her head toward the Christ Child, holding him with calm and maternal care. Jesus stands steadily and gently reaches out toward the small reed cross, which is held firmly by Saint John the Baptist. Their interaction should feel natural and respectful—like a meaningful exchange between two children, without exaggeration or playfulness.

The cross must remain in Saint John’s hand and must not be duplicated. The cloth draped on the children should not be removed or altered in any way.

The elderly woman in the background simply smiles; her hands are visible and should remain free and still, showing quiet admiration. The young John the Baptist also has free hands, holding only the cross.

In the background, through the open arch, Saint Joseph may show a small movement—perhaps adjusting a tool or brushing wood—as he continues his quiet work at the carpenter’s bench. His actions should remain minimal and grounded.

Use soft light and maintain the warm, domestic atmosphere of the original painting. Facial expressions should remain composed, with only slight natural variations. Fabric may shift gently, but without disrupting the composition or the structure of the clothing.

This animation should evoke stillness, intimacy, and reverence—faithful to the theological and artistic tone of the original.

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